(Continued)
Noteworthy Renditions of the Original
1. Somebody That I Used to Know
Original Artists: Gotye featuring Kimbra
Cover Artists: Pentatonix
I loved Gotye and Kimbra, they created a masterpiece. The entire song felt lively, a whimsical mix of the hot and cold, the right amount of tension, passion and fluff and I adored the instrumentals. I s'pose there's a charm to the song that's quite unbreakable, but one could definitely drop it in molten lava and twist it into something unrecognisable.
Unrecognisable... with A 'Capella. Forgive me, but A' Capella always brings me visions of Glee-wannabe and 'tis never quite something I consider 'extremely creative' but this definitely didn't feel A 'Capella. Instead it had a very buttery-smooth-vibrato-electronic vocal-instrumental medley that reminded one of anything but A' Capella norms. Definitely noteworthy.
Noteworthy Mentions: Ingrid Michaelson, Michael Schulte & Max Giesinger, Walk off the Earth
2. How To Save a Life
Original Artists: The Fray
Cover Artist: Adrian Wilson
Isaac Slade's mesmerising vocals won me over with this song, 'tis just just perfect for the song. 'Tis clean with a rough-around-the-edges, rock instrumentals followed by a ballad-esque singing and the awesomely written lyrics, 'tis one of the few songs that's been a classic for me. And as simple as this song seems to be 'tis seemingly impossible to cover.
And them we meet Beside Lights lead singer, Adrian Wilson. Here's a man who knows his voice, and boy, does he have a voice. The control he exhibited with his vocals was impressive, and his touch of guitar to the song that's lovely with a piano was really good. A heavy Australian accent and lil' twists along the way, gave the song a touch of unique but it preserved the things I've learned to adore in the original. Worth a mention, a shout and a listen.
Notable Mentions : Alex Goot, Boyce Avenue
3. Little Lion Man
Original Artists: Mumford and Sons
Cover Artist: ortoPilot
Little Lion Man's a vibrant, folksy one, an easy addiction and a target hit for the replay button, 'tis. The rugged vocals gave a lovely texture to the song, adding to the rusticity without taking away the fun elements. Mumford and Sons gave the song a brisk air, which became the song's signature, with its quick strumming, fast rhythm and interesting choice of words.
But things can get odd when someone(ortoPilot, that is) gives the song a lil' change. Especially since it sounds really, ridiculously good. A slower tempo brings more attention to the lyrics and a slight croon here and there, highlighting his unique vocals likewise. The cover gets you up being so familiar, and keeps you listening, since 'tis a lovely rendition of an awesome song.
Noteworthy Mentions: Orla Gartland, Dustin Prinz, Gid Sedgwick and Edward T. Cooke, Sara Bareilles
4. I Will Follow You Into The Dark
Original Artists: Death Cab for Cutie
Cover Artist: Gavin Mikhail
I Will Follow You Into The Dark is a gorgeous song, the kind you swoon and melt to. The arrangement's lovely, the vocals simple, the lyrics subtle and stark giving it the 'love song' feel without making it feel extremely over-the-top. I personally loved the acoustic guitar strums which gave the song a more organic feel and it went perfectly with the vocals.
What a piano and smooth melodious vocals can do to the song is epic, and Gavin Mikhail exhibits his prowess with them in the song. It felt a whole lot more refined, like a 'proper', 'traditional' love song, with hints of the subtlety and rusticity that I adored in the original. Mikhail's slower rendition gives the song a new and noteworthy feel, an auditory pleasure.
Noteworthy Mentions: Juliana Richer, Kurt Hugo Schneider, Gavin Mikhail, Austin Criswell, Leah Johns.
5. If I Die Young
Original Artists: The Band Perry
Cover Artists: Michael Henry and Justin Robinett
If I Die Young is an endearingly melancholic song with a hint of cheek. Extremely country-pop, 'tis the song everyone'd love, being in a middle ground with amazing lyrics. The crisp, husky and extremely feminine vocals gives the song a hint of sad without dampening the entire tune. A permanent fixation in my playlist, with an unbeatable quality.
Though I'd say that Michael Henry and Justin Robinett could give them a run for their money with their cover. 'Tis acoustic piano rendition done in a duet, maintains the haunting-esque feel, adding perhaps a tad more melancholy and regret, simple layers and textures harmonizing melodiously creating a pulchritudinous cover. Noteworthy, extremely so.
Noteworthy Mentions: Sam Tsui, Krista Nicole, Julia Sheer